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2013.05.21 Tue, by

Inflating an Audience in West Kowloon

One of the core genre tools often deployed for exhibitions intended to invite public participation is, of course, participatory art. “Inflation!” wisely steers away from anything knotty and relational, instead opting for a more literal form of visitor-work interaction that also makes space for unorthodox relationships between visitors. >> Read more
2018.02.27 Tue, by

Jean-Michel Othoniel
Dark Matters
Prominent

Prominent on the French and international art scene, Jean-Michel Othoniel works with materials that have poetic and sensitive properties. >> Read more
Interviews, 2018.02.02 Fri, by

Katharina Grosse and the ghost-eating-mud at K11 Foundation, Shanghai

Katharina Grosse is one of the leading artists working in the area of Expanded Painting, a field, in every sense, that encompasses extremely divergent practices, yet which always share an interest in the physical fundamentals of painting and paint – hue, light, material, surface, production – to explore directly the nature of painting itself and the ways people experience it. >> Read more
Interviews, 2017.05.23 Tue, by

CLAUDE RUTAULT, Perrotin, Hong Kong

Perrotin Hong Kong presents the fourth exhibition dedicated to the conceptual painter Claude Rutault at the gallery, and his first exhibition in Asia. >> Read more
Interviews, 2017.03.31 Fri, by

You won’t be young forever

The group exhibition “You won’t be young forever” curated by Biljana Ciric last November during the Shanghai Biennale did not yield any surprises. She has always insisted on institutional critique as her modus operandi, and now a new batch of artists who haven't yet entered the mainstream has appeared. >> Read more
Interviews, 2017.02.16 Thu, by

What, and How to Forget?
Review of the 2016 Taipei Biennial “Gestures and Archives of the Present, Genealogies of the Future”

As the by-product of international expositions, the biennial/triennial/multi-ennial model not only shapes the development of modern and contemporary art history, it is also intimately tied to the course of modernity... >> Read more
Interviews, 2017.02.05 Sun, by

TIM NOBLE AND SUE WEBSTER | STICKS WITH DICKS AND SLITS

Tim Noble (b. Stroud, 1966) and Sue Webster (b. Leicester, 1967) met at art school in Nottingham, England in1986, when they both arrived a day late for enrolment. Inspired by the work of Damien Hirst and other Young British Artists, they moved to London and worked for the artist duo Gilbert and George. Noble and […] >> Read more
Think, 2017.01.26 Thu, by

The Interpretive Power of a Politics of Happiness

A first for modern times, our historical narratives are moving out of tragedy and into comedy, and like it or not, this will be a major turning point. >> Read more
Think, 2016.11.04 Fri, by

YE HONGXING
“The Accumulation of Silence”
Art+ Shanghai Gallery

This new series by Ye Hongxing strikes the viewer through each piece and the exhibition as a whole, >> Read more
Think, 2016.10.13 Thu, by

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